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Hence tracks like blackened thrashers “Horns” and “Suicide Bomber,” as well as the rhythmically sophisticated “My Bodom (I Am the Only One)” reverberate with bottom end from both bass and guitar, even if keyboards and the band’ s modern approach to drum mix fight to uphold Children of Bodom’ s celebrated sense of cut, clarity and agility.All told, says Alexi, “The mission will always be to get as heavy as possible, but also try to improve as musicians and as songwriters.You shouldn’ t be too comfortable with what you do; you’ ve got to try new things.”But there’ s signature white-knuckle Bodom all over the record as well, songs that slam but then are sweetened by synth legend Janne Warman’ s array of slicing keyboard sounds. Another signatory counterpoint is provided by Seregor's fierce rasping and shrieking vocals.“Sure, well, the opening track called ‘ I Hurt’ is fast and intense,” describes Laiho, “with a lot of things going now. Adding to the impact, Namtar has become a relentless driving force with his hart hitting yet intricate drumming.At first you’ re thinking it’ s basically pure chaos, but then there’ s a chorus that is just so catchy on every level, that I think it’ s the best opening track we’ ve had in a long time. Each track on this album is a highlight on its own, while combined 'Dance and Laugh amongst the Rotten' simply shines.It’ s one of those that doesn’ t fly by you—that chorus will stick with you for sure. CARACH ANGREN set out to tell ghost-stories with a set of paranormal cases recorded on the demo 'The Chase Vault Tragedy' (2004).
It’ s got a lot of sadness and hurt and anger in it. But it really is different (laughs).”The Skyclad-meets-Dark Tranquillity of “Morrigan,” with its expert synthesis between keyboards and mid-paced riff, with its thump and near swing feel, is sure to stand out as one of the magic stadium rock moments of the entire Children of Bodom catalogue.
That idea inspired me to write that song, but it’ s not necessarily about a certain goddess. This lusciously seductive danse macabre will drag you in and never let go.
It could be anybody, and so it’ s a song that is probably very easy for people to relate to.”Even more elegantly shocking is “All for Nothing,” on which Alexei opens with a frightening whisper-type vocal over a track that is often Maiden-esque and textural, the bonus being a searing guitar solo which demonstrates why Laiho has quietly become—weirdly and specifically—an elder statesman of razor-wired guitar to a very young next generation of Bodomites. CARACH ANGREN have employed all the sonic colours on their palette to dazzling effect.
World renowned Finnish heavy metal band Children of Bodom have entered Danger Johnny Studios (located at a top secret, undisclosed location in Helsinki) to begin work on their as-yet-untitled eighth studio album.
For the recording of the LP, COB has teamed up with recording engineer Mikko Karmila, who worked with the band on their fan favorite albums and more, as well as producer Peter Tägtgren (Marduk, Amon Amarth), who is overseeing production of both vocals and keyboards on the record.